Craig Chaquico joins us to talk about key moments from Jefferson Starship and his solo career, including his take on the Albert King-via-Cream classic “Born Under a Bad Sign” from the guitarist’s newly released debut for Blind Pig. We also touch on memorable hits like 1978’s “Count On Me,” 1979’sRead More

Emily Herndon, in her forthcoming full-length debut as May Stands Still, refuses to play to the hushed fragility that’s become the folkie-ingenue stereotype — forcing us to hear her songs in a whole new way. You May Also Like: David Philips, “Home” from Winter (2017): Something Else! sneak peek

Craig Chaquico is ready to rock again — or more specifically blues-rock again. After years of work as a best-selling acoustic artist, the former Jefferson Starship guitarist has dug back into his earliest influences. You May Also Like: The Craig Torso Show – ‘Conflagration Vespers’ (2021)

Ragged and raw, then as suave as a velvet wide-brimmed hat, Gary Clark Jr.’s long-awaited full-length debut is so eclectic as to make the term sound somehow confining and staid. You May Also Like: No related posts.

Ann and Nancy Wilson, in an exclusive world premiere video for Something Else! Reviews, talk about Heart’s new single — the title track from their just-released album Fanatic. You May Also Like: ‘Fanatic’ Rocked All the Way Out, But Still Had Plenty of Heart Heart – Beautiful Broken (2016)

You’ve heard the hits, from the sublime (“Maybe I’m Amazed,” “Junior’s Farm,” “Band on the Run”) to the ridiculous (“Let ‘Em In,” “Ebony and Ivory,” the perfectly named “So Bad”). But what of those tucked-away gems by Paul McCartney? You May Also Like: Why ‘Red Rose Speedway’ Ended Up FracturingRead More

John McLaughlin is still recording live, even in the digital age, even at the age of 70. And still kicking some serious, serious guitar ass.

Amazon.com Widgets Billy Sherwood, both with Yes and on his recent helming of the Prog Collective, has already established himself as a staunch advocate for the 1970s’ signature rock style. So why shouldn’t he do the same with 1970s jazz? You May Also Like: Billy Cobham’s Crosswinds Project, March 28,Read More

Amazon.com Widgets Joe Blessett offers that rarest of things – a jazz recording with as much risk as it has enterprise. Changing Everything reveals itself as by turn challenging and approachable, two things that so rarely share the same stage anymore. You May Also Like: Harry Beckett – Still HappyRead More

I’m not sure Ben Gibbard, recording his first-ever solo album away from Death Cab for Cutie, has ever sounded more alone. And in that scary freedom, in that essential stillness, he experiments in ways we haven’t heard before. You May Also Like: No related posts.