Oh, did I mention that the Who’s ‘Live at Leeds’ is extremely LOUD?

by Mark Saleski I already owned 1991’s Great Big Boy, and it’s a fine one. The album was allowed to go out of print for the usual reasons (which I won’t waste our time on), only to reappear in a likeably presented two-fer in 2007 with Peculiaroso from 1994, whichRead More

by Mark Saleski Normally, I’m not a particularly skeptical person. But when I see things in album credits like “hair,” “makeup,” and “dresses,” it’s tough to not tighten up a little. The good news is that Leonhart and Escoffery can bring it. She has a voice that manages to seemRead More

by Mark Saleski Back in Led Zeppelin’s day, it was near to impossible to twist the radio dial (yeah, radios had dials back then … think of a radio dial as an ancient, manual hyperlink, without the Internet or computers or any of that stuff You May Also Like: HowRead More

by Mark Saleski A piano and drum ‘duo,’ all played by Dave King. Yes, the drummer for The Bad Plus not only has piano skills as well but also a big piles of ideas to play with. Grooves would of course be expected, as well as dissonance and stumbling rhythmsRead More

by Mark Saleski “What? You’ve never head any Roomful of Blues?” I tell you, I’ve asked that question far too many times. They’ve gone through many lineup changes through the years, and their list of alumni includes Duke Robillard, Ron Levy, Sugar Ray Norcia, and Ronnie Earl. Why they’re notRead More

I have again entered the musical aesthetics zone. The usual question is “Why do I like that?” This time around, I want to get a little more general: Why does anybody like (or dislike) anything? How do people decide You May Also Like: Dave Seidel (Mystery Bear) – ‘Involution’ (2021)Read More

by Mark Saleski Dude is wearing a porkpie hat on the cover. Dude is making “jazz face.” Dude can play his ass off. Skip right to the end and check out “CD Changer.” It’s not often that a pianist will apply so much torque to the percussive nature of theRead More

by Mark Saleski Wow, sometimes you just stumble onto a little gold. Jae Sinnett’s kit work manages to channel bits of my favorite drummers (Jeff Watts, Tony Williams) while retaining his own thing. It’s very inspiring to be witness to a player who can muster great power when necessary andRead More

by Mark Saleski Sax, piano, bass and drums — staples in the jazz world. Sometimes, that combination can be bland. If the players don’t add a little spice to the proceedings, you quickly realize that you’ve been here before. (“What? Intro-head-solos-head again?!”) Thankfully, Dave Glasser knows how to apply theRead More