Articles by: Mark Saleski

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Sparks Fly On E Street: Bruce Springsteen, "Spirit In The Night" (1973)

And now we have Greetings‘ cast of characters — Wild Billy, Killer Joe, Hazy Davy, G-Man, and Crazy Janey — heading out for a Saturday night of wild abandon up at Greasy Lake. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

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Greg Burk – Many Worlds (2010)

by Mark Saleski Several years ago, I happened upon a book called A Pattern Language. It was an odd purchase for me, because I’m not really an architecture person, at least not in the grand “Oooh, majestic building!” sense You May Also Like: Gareth Lockrane – Fistfight at the BarndanceRead More

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Half Notes: Nick Cave and Warren Ellis – The Assassination of Jesse James (2008)

by Mark Saleski I came very, very late to the Nick Cave game. How late? 2004, and Abattoir Blues/Lyre of Orpheus. That album blew the top of my head clean off. I listened to almost nothing else for a couple of weeks, allowing the music to soak in deeply. InRead More

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Buck Owens – Live in Scandinavia (1970)

Among some of my Internet friends, I’m known for being into “obscure” jazz. I suppose this is true, though given the average person’s engagement with the jazz world (face it people, it’s a pretty small number, percentage-wise), the definition of “obscure” is a slippery one. Maybe I just like obscureRead More

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The Friday Morning Listen: Southside Johnny – Reach Up & Touch the Sky: Live (1981)

So here we are, heading toward the end of another summer. This one seemed particularly quick. You May Also Like: Wilco (The Album) echoed, but didn’t quite live up to Sky Blue Sky Johnny Winter Refined His Hell-Raising Brand of Texas Blues on ‘Guitar Slinger’

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Sparks Fly On E Street: Bruce Springsteen, "For You" (1973)

Relationships heading toward their end can often impart a kind of repelling force between the couple involved. In “For You,” a relationship has run off the rails and there’s no small amount of soul searching. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E StreetRead More

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John Zorn – Masada Guitars (2003)

John Zorn’s Masada is an interesting group. The way I’ve come to describe them is “Ornette Coleman-listens-to-klezmer.” While that’s not the only way to get there, it’ll do. You May Also Like: How ‘Wish’ Scuffed Up Joshua Redman’s Initial Melodicism Why You Should Give Pat Metheny’s ‘Rejoicing’ Another Listen

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Half Notes: Meredith Monk – Impermanence (2008)

by Mark Saleski There are a handful of female voices out there that’ll cause me to stop, listen, and be amazed: Bjork, Diamanda Galas, Rickie Lee Jones, The Roches. Those women rule the landscape with oddball cadences, insane textures, and emotional tones ranging from delicate sensuality to raw violence. ButRead More

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Half Notes: Free Form Funky Freqs – Urban Mythology, Vol. 1 (2008)

by Mark Saleski This is a certified jazz/funk/power trio bomb. With Vernon Reid on guitar, Jamaaladeen Tecuma on bass, and G. Calvin Weston on drums, there is not a flabby moment on this record. Many people know Reid from his fire-spitting days with Living Colour. If you weren’t paying attentionRead More

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The Friday Morning Listen: Abba – The Visitors (1981)

I remember seeing the first ones. They were behind the glass at the front desk at Strawberries Records. I’m pretty sure I didn’t even know what they were. You May Also Like: Bill Lloyd – Feeling the Elephant (1987): Forgotten Series King Crimson, Fleetwood Mac, Supertramp + Others: My TopRead More