Joaquin Sabina, “Palabras Como Cuerpos” from Inventario (1978): One Track Mind
With “Palabras Como Cuerpos,” Joaquin Sabina seems to take Phil Ochs’ motto to heart, realizing that in such an ugly time, the true protest is beauty.
With “Palabras Como Cuerpos,” Joaquin Sabina seems to take Phil Ochs’ motto to heart, realizing that in such an ugly time, the true protest is beauty.
We’re on the trail of the seemingly untraceable John Manning, a talented singer-songwriter who released a lone album, then disappeared.
When Mickey Newbury covered a song, he did it with such intensity that it’s hard to imagine it done any other way. Here’s another example.
An ailing Mickey Newbury saved one of his best songs for the final album released during his lifetime.
For a while, Phil Ochs’ vision of America fuelled the shared dreams of the 1960s. He would have turned 74 today.
This is the perfect introduction to Joaquin Sabina’s music: a subversive love ballad that’s at once tender and cruelly unforgiving.
Graham Nash doesn’t dilute “Simple Man” with wish-fulfillment fantasies. There’s just this: a heart that longs for what’s been lost.
One of Nick Drake’s most haunting songs, “Day is Done” is blessedly free of the overdone production that marred many of his early recordings.
This song is for Bob Dylan’s Seventies what “Like a Rolling Stone” was for his Sixties: a farewell.
Bombastic and wildly ambitious, but also deeply moving.