‘El Camino’ arrived 10 years ago today as an extension of everything the Black Keys accomplished with ‘Brothers’ – just turned up to 11.

This track fits well on an album where Yes attempts to find some sense of purpose in a world beset by climate change and COVID. So why’d they leave it off?

Like so many goodbyes, nobody knew “Better” would represent Bill Champlin’s last released original recording with Chicago.

‘Chicago XXX’ hadn’t lived up to its cross-genre promise – that is, until “Lovin’ Chains” finally offered a fizzy, long-hoped-for combination of mindsets.

“Sister Sleeping Soul” begins as a rather unwelcome return to the kind of soft rock-prog that doomed Yes’ ‘Heaven and Earth.’ Then something great happens.

The Yes lockdown album bides its time, waiting for just the right moment to discuss the COVID-19 shaped elephant in the room.

With “Music to My Ears,” Yes continues to seesaw between song ideas that clearly sprang from individual members. That leads to an ego-driven mistake.

“Where Were You” stands out for what’s not there: A gaggle of hired-hand sessions guys meant to bolster Chicago musically.

Ever-more-confident Yes frontman Jon Davison seems to be growing into his role with each passing verse on the solo-written “Future Memories.”

Two different people constructed Yes’ “The Western Edge” from two different ideas while working in two different places. What could go wrong?