Kiss, Sept. 7, 2019: Shows I’ll Never Forget
I had misgivings based on my last lackluster experience with Kiss, but in the end, I was glad that I went.
I had misgivings based on my last lackluster experience with Kiss, but in the end, I was glad that I went.
Bloody Hammers strike the perfect mix of riffs, mood, melody and camp to drive a stake right through my metal heart.
I can, without a doubt, say Gloryhammer’s recent stop in Dallas was one of the favorite concert experiences of my life.
Geoff Tate’s collaboration with Sweet Oblivion may be the closest thing we’ve gotten to the classic Queensryche sound since 1990.
Gloryhammer continues to brilliantly satirize power-metal genre clichés and traditions on the final album of an impressive trilogy.
I walked away from Judas Priest’s 2019 show in Little Rock, Ark., with great memories of the music, and a lasting moment with my son.
‘The Dirt’ is a fun romp through one of rock’s most decadent decades – and in the end, I suppose that’s appropriate for a film about Motley Crue.
It didn’t last very long, but Aerosmith belatedly recaptured their initial spirit and energy 15 years ago today on ‘Honkin’ on Bobo.’
Extreme’s high-concept ‘III Sides to Every Story’ may have been just a little too much of a leap for a lot of fans.
The shoulda-stayed-retired Motley Crue have unleashed a raging dumpster fire on an unsuspecting musical world.