Articles by: Fred Phillips

Fred Phillips' Best of 2015 (Hard Rock + Metal): Iron Maiden, Marilyn Manson, Queensryche

Fred Phillips’ Best of 2015 (Hard Rock + Metal): Iron Maiden, Marilyn Manson, Queensryche

Picking a Best of 2015 list wasn’t easy. A few albums were outstanding, but I sometimes had a hard time finding new music that connected.

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Motorhead’s Lemmy Kilmister Was a One of a Kind Legend, Warts and All

Uncompromising, unafraid and utterly cool, the late Motorhead frontman Lemmy Kilmister embodied the spirit of rock ‘n’ roll.

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Queensryche – Condition Human (2015)

‘Condition Human’ marks the full return of the Queensryche that I know and love.

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Amorphis – ‘Under the Red Cloud’ (2015)

In a year that, for me at least, has been largely uninspiring on the music front, Amorphis’ ‘Under the Red Cloud’ is a glittering jewel.

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Danzig – Skeletons (2015)

Glenn Danzig has a pretty good history with covers, and ‘Skeletons’ makes a direct reference to that with another Elvis Presley song.

Fastway – 'Trick or Treat' Original Soundtrack (1986)

Fastway – ‘Trick or Treat’ Original Soundtrack (1986)

The campy Halloween film ‘Trick or Treat’ doesn’t hold up so well anymore. But Fastway’s original soundtrack? That’s another matter entirely.

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Marilyn Manson – ‘The Pale Emperor’ (2015)

‘The Pale Emperor,’ more than any from Marilyn Manson in the intervening years, seems like the natural successor to ‘Mechanical Animals.’

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Slayer – Repentless (2015)

Does ‘Repentless’ match Slayer’s classics? Not really. But it’s probably the best complete album they’ve done in decades and, for me, that’ll do.

Savatage, "Prelude to Madness / Hall of the Mountain King" (1987): One Track Mind

Savatage, “Prelude to Madness / Hall of the Mountain King” (1987): One Track Mind

Savatage’s classic ‘Hall of the Mountain King,’ released on Sept. 28, 1987, was an eye-opening experience for first-time producer Paul O’Neill.

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Gloryhammer – ‘Space 1992: Rise of the Chaos Wizards’ (2015)

Much like Christopher Bowes’ other band Alestorm, Gloryhammer doesn’t take its themes too seriously. The music, however, is another matter.