Chicago, “Free Flight” from ‘Chicago 18’ (1986): Saturdays in the Park
‘Chicago 18’ is not my favorite album, but I was glad to hear this little reminder of what the band once was.
‘Chicago 18’ is not my favorite album, but I was glad to hear this little reminder of what the band once was.
If ‘Chicago 17’ had been released by another artist, I may have liked it more.
Whether you like “Daddy’s Favorite Fool” or not mostly depends on whether you like then-new Chicago member Bill Champlin’s voice.
Released 45 years ago today, ‘Streetlife Serenade’ arrived at a time when Billy Joel was more singer-songwriter than stadium-filling showman.
“Hard to Say I’m Sorry” would become Chicago’s second chart-topping single. But the album-version ending is what made it soar for me.
Chicago’s “Chains” is worthy of praise – even if I still can’t figure out if the horns are real or not.
“The American Dream” has a lot of the Chicago exuberance from their early years, along with one of Peter Cetera’s finer lead vocals.
Nothing on ‘Chicago XIV’ is outright terrible. Considering how far they’d sunk, that statement is meant as praise.
Sadly, “Reruns” is another reminder of where Chicago was heading in their not-too-distant future.
Jason Scheff offers a stand-out performance on Chicago’s rendition of one of the world’s most beloved carols.