‘Ride a Rock Horse’ managed a bit of a tougher edge, compared to Roger Daltrey’s self-titled debut effort from 1973.

‘Detours and Dead Ends Vol. 1’ finds Caddy taking a break from producing his own stellar songs to reprise some of his favorite tunes from the ’70s and ’80s.

Emerging from the same gene pool as bands like the Byrds, Shoes and Teenage Fan Club, the Boys With the Perpetual Nervousness are masters of jangle pop.

Beki Hemingway’s ‘Earth & Asphalt’ is guaranteed to serve traditional country fans, as well as those who dig pop that rocks and rock that pops.

Don the headphones and close your eyes, as Jeremy Morris’ ‘The Road to Zion’ takes you on a prog-rock flight that will make you glad to be alive.

Better known as Paul Starling, Brian Bringelson steps out with an album in the spirit of acts like the Beach Boys, Bread, the Smithereens and Matthew Sweet.

Ken Sharp’s latest album ‘Miniatures’ stands as a complete departure from the genre he is generally associated with among power-pop aficionados.

A self-composed piece of straight-up hard rock, Richard Turgeon’s “Parasite” is recited in a stadium-sized leer that firmly pushes the point home.

The Sails are quite the rage across the pond, and ‘Bang!: The Sails Best of 2006 to 2020’ provides the reason why.

Grunting and grinding with power and volume, Bachman-Turner Overdrive’s ‘Not Fragile’ is the ultimate classic hard-rock album.