Interesting, very interesting.
James LaBrie has never really shied away from doing something that’s outside the progressive metal framework of Dream Theater on his solo albums, but the first taste of the upcoming Impermanent Resonance might be the farthest away that he’s strayed.
“Agony” has drawn comparisons to Swedish melodic death metal masters Soilwork, and surprisingly, those comparisons are not completely off-base, either. The tune starts out with drummer Peter Wildoer delivering some sporadic blast beats over melodeath guitar riffs from Marco Sfogli. The first voice that you hear isn’t LaBrie either, it’s Wildoer who growls over the more aggressive parts of the song, with LaBrie punctuating his snarls in a whisper.
As the chorus nears, the song moves into a more progressive mode and LaBrie and Wildoer swapping roles. LaBrie delivers the big soaring chorus, punctuated by an occasional scream from Wildoer. The chorus is more along the lines of what you might expect, but the guitar riffing remains aggressive, and there is the occasional drum punch, as well.
As with most of LaBrie’s solo work, it’s a little more straightforward than his main band. There aren’t as many movements and not everyone has to have an opportunity to show their virtuosity, though the band members do hold their own well, particularly Wildoer, who pretty much drives the song. In fact, that may be one of the track’s biggest weaknesses. At the end, I’m longing to hear a little more of the more aggressive Wildoer passages than LaBrie’s work.
LaBrie’s solo albums have always been a bit uneven with moments of brilliance and moments that fall flat. “Agony” seems to indicate that fans are, once again, in store for a wild ride.
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Other than “Beelzebubba” from his first Mullmuzzler album, LaBrie’s solo work has largely fallen flat with me. I prefer his less metal/more melodic works. Based on your description of “Agony” I think I’ll take a pass on this one.
I liked Elements of Persuasion when it came out, though I admit that I haven’t listened to it in years. I think it reminded me of a bit heavier Dream Theater at the time. Then again, I burned out on prog metal a while back and don’t even really listen to DT much any more.