by Mark Saleski
I’m not generally known for buying best-of packages (the last exception was Tom Waits’ Used Songs, because I arrived on vacation to discover that I’d not packed any Waits. Two weeks with no Tom Waits? No way!), but Ani’s career has been so prolific that this is a great survey. That, and I love to support her because of the way she’s remained truly independent. OK, and I love the play on words, what with ‘canon’ and the picture and the doves.
‘Half Notes’ are quick-take thoughts on music from Something Else! Reviews, presented whenever the mood strikes us.
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Mark Saleski is a writer and music obsessive based out of the woods of central New Hampshire. A past contributor to Jazz.com, Blogcritics.org and Salon, he originated several of our weekly features including the Friday Morning Listen, (Cross the) Heartland, WTF! Wednesday, and Sparks Fly on E Street. Follow him on Twitter: @msaleski. Contact Something Else! at [email protected].
Latest posts by Mark Saleski (see all)
- Why the Rolling Stones’ Harrowing ‘Gimme Shelter’ is Still Revealing New Depths - November 18, 2024
- How Talking Heads’ ‘Fear of Music’ Opened Up a World of Art and Sound - August 5, 2024
- How Deep Cuts Propelled Bruce Springsteen’s ‘Born in the U.S.A.’ - June 4, 2024
