All that hype surrounding a child who plays a sophisticated music form like an old veteran is real, but now that Joey Alexander is no longer child and finding his own identity, the hype feels even more real than before with the all-originals ‘Origin.’
Times have changed but in adapting to it on ‘I Hope I Know,’ Seth Walker shows that his mastery of Americana music is just as it was during the ‘old’ times.
Gloryhammer’s Sozos Michael is probably better from a technical standpoint than Thomas Winkler. But the better technical singer is not always a better fit.
Brandon Seabrook never undertakes paths chosen by others, but rarely has he had such willing and able partners in crime to carry out his scintillating eccentricities as Gerald Clever and Cooper-Moore.
Released 15 years ago this week, Wilco’s ‘Sky Blue Sky’ became my road music, an escape from the everyday nothingness that often drives us insane.
The term “power pop” has been widely overused and misused, but the Singles can positively be deemed poster boys of the idiom.
Living up to its name, Jacob Garchik’s ‘Assembly’ artfully puts together improvised parts to create structured pieces, only to place it back against its loose origins.
Ex-James Brown saxist Pee Wee Ellis unveiled his debut solo LP 30 years ago this month, proving again that he was one of the funkiest homo sapiens anywhere.
With ‘Threesome, Vol. 3,’ the Lickerish Quartet once again comes up with songs that are designed complex but come off catchy and frictionless.
There are no egos at all involved with the talented quartet Kind Folk, just a cooperative spirit that makes ‘Head Towards the Center’ truly better than the sum of its parts.
