There’s really no other song that quite has this kind of affect on people like Phil Collins’ “In the Air Tonight”; it’s a brilliant manipulation of our sense of foreboding.

This is a significant addition to both Arcado String Trio’s limited catalog and Ivo Perelman’s massive one.

Days Between Stations’ ‘Giants’ is sublime prog rock that ignites brain synapses back into a life they only knew in the heyday of 1974’s melodic maelstrom.

Phil Ochs’ trenchant, evocative and sometimes amusing insights into corruption and hypocrisy are even more relevant now than they were in the ’60s.

This melodically pulsating, accessible yet clearly progressive song incorporates the strength of each Yes man, but doesn’t try to recreate the past.

Even if you’ve listened to Howlin’ Wolf’s “Killing Floor” a thousand times, the experience isn’t complete without hearing ElectroBluesSociety tackle it with Boo Boo Davis.

Baltimore-based prog and jazz guitarist Mark Papagno joins Ross Boissoneau to discuss albums by Yes, Allan Holdsworth and David Sylvian.

I’m not sure if there is such a music idiom as “neo-yacht rock” but if there is, Young Gun Silver Fox would surely be at the top of that heap.

“Come in From the Night,” more than any other, is a fantastic example of the potential of Bill Champlin and Chicago.

Paul de Jong has gumption of cellist Tom Cora, while Harrison Bankhead boasts the savvy of Charles Mingus. It’s all spontaneously on display on ‘Freedom.’