For the live document ‘Viscera,’ Brian Krock lays out tall orders for his band and they always produce. His liddle quartet is indeed little in size but the ambitions are ‘orchestra big.’

If you weren’t aware of the copyright date of ‘Diamond Hands,’ you could easily be hoodwinked into thinking it is a long lost George Harrison project.

Steve Porcaro’s programming and synth wizardry and Simon Phillips’ engineering are what makes this weird yet enjoyable Toto song so interesting.

Over in Barcelona, Spain, David Philips found his own sunny angle, a silver lining to all this despair: Mother Nature is getting a much-needed break.

Rick Wakeman’s ‘The Red Planet’ is a grand musical gesture that descends slowly on analog winds and is buoyed by a progressive rock ‘n’ roll parachute.

Alex Jordan’s ‘The Subtle Exhibitionist’ is a dazzling debut from an artist whose spirited music is primed to make a major impact.

Artificial drum beats are all that prevent “I Stand Up” from fitting right into 1972’s ‘Chicago V’ or 1974’s ‘Chicago VII.’

Preston Frazier’s Best of 2020 (So Far) includes standout recordings from Rick Wakeman, Brownout, David Sancious, Nick Finzer, Susie Blue and others.

Being around William Parker has left a deep impression on drummer Jeff Cosgrove, and some of Parker’s creative flair has apparently rubbed off on him, too.

Quincy has returned with a highly enjoyable set of songs that rank as a sensible extension to the unfulfilled promise of their debut album.