Walter Becker, “The Dopest Cut / Down In the Bottom” (1992): Steely Dan Sunday
Walter Becker’s ’11 Tracks of Whack’ outtake “The Dopest Cut / Down In the Bottom” is another treat for Steely Dan fans that shouldn’t go unnoticed.
Walter Becker’s ’11 Tracks of Whack’ outtake “The Dopest Cut / Down In the Bottom” is another treat for Steely Dan fans that shouldn’t go unnoticed.
Christopher Bono’s ‘Nous III” is infused with such a long list of idiom influences – from post-rock and ambient to Neo-Shamanism and free jazz – that it defies classification.
As other members of Chicago stepped back from writing songs, or stepped out on their own for solo careers, Bill Champlin stepped up.
Seth Walker’s new single “We Got This” reminds us that we’re going to come out of this, despite the fog of uncertainty we’ve been faced with for months now.
Duotrio’s ‘In the Bright and Deep’ is an enjoyable outing, one that like its too-brief solos leaves the listener looking forward to more.
Bluey might owe much of his mannerisms to George Benson, but the Incognito linchpin’s main stock-in-trade has always been his grooves.
Dinosaur’s ‘To the Earth’ creates a range of moods and themes, while also stepping back to past influences and forward into new territory.
‘Tomorrow’s New Dream,’ the latest album from Jean-Paul “Bluey” Maunick and Incognito, is a shimmering, funky delight.
Like the rest of the Lickerish Quartet’s EP, “Bluebird’s Blues” is for the ages. A new song put together using time-honored values will never *sound* old.
When ‘Fly From Here’ was released, I remember my excitement that Yes was still capable of transcending barriers which would have stopped other bands.