Tim Berne’s Snakeoil – ‘The Fantastic Mrs. 10’ (2020)
‘The Fantastic Mrs. 10’ boils down to Matt Mitchell’s simple words: Tim Berne’s designs provide a context for insanity. Sweet insanity.
‘The Fantastic Mrs. 10’ boils down to Matt Mitchell’s simple words: Tim Berne’s designs provide a context for insanity. Sweet insanity.
Ex-E Street Band member David Sancious’ ‘Eyes Wide Open’ is a wondrous hybrid that infuses funk, pop, rock, blues, jazz and prog with a social conscience.
Released 45 years ago today, ‘Chicago VIII’ found the band at a low creative ebb. But these five lesser-known songs make it worth a return visit.
Songs on this album were credited to Yes as a band, but “Soft As a Dove” sounded like another classic joint effort from Jon Anderson and Steve Howe.
Soul-jazz songstress queen Lindsey Webster succeeds not by keeping up with current trends but instead through mastering the little time-honored things.
Concept albums have been among Willie Nelson’s greatest and most confounding works – sometimes simultaneously.
Here’s a Richard Turgeon song that celebrates genuine American guitar rock with style and substance.
Satoko Fujii and Tatsuya Yoshida are heavyweights in Japan but are both world-class vanguard musicians. ‘Baikamo’ is a welcome return to their summit meetings on the edge of what is possible with just a piano and drums.
Released 20 years ago today, ‘Magica’ is the most underrated Dio effort – and every bit the equal of Ronnie James Dio’s best work.
“Here Is Where We Begin” is an exceptional song in spite of Chicago, not because of them. Credit former Ambrosia frontman David Pack.