The Rob Dixon Trio’s ‘Coast To Crossroads’ is funk-jazz that’s the best because it comes from the best.

“Baby He’s Your Man” from 1995’s ‘Tambu’ is funky, hook-laden – and unfortunately overlooked by fans of Toto.

Sounding very much like themselves while incrementally reinventing themselves, The Necks’ constant tweaking of their formula keeps the music fresh and full of fascination. ‘Body’ nudges the band forward on their long, highly rewarding journey.

If you haven’t yet discovered the hidden blues treasure Little Freddie King, ‘Fried Rice & Chicken’ is a perfect way to get acquainted.

Created as a tribute to one of jazz’s organ masters, ‘Live in Music City’ instead ends up showcasing the promise and potential of Jimmie Smith.

Ten years ago, John Mellencamp confirmed a late-career renaissance with the T Bone Burnett-produced ‘Life, Death, Love and Freedom.’

Chicago’s “Takin’ It On Uptown,” the last Terry Kath song released in his lifetime, is a nod to idol Jimi Hendrix – and so much more.

Here is the premiere of “Crime Zone,” the title song from pianist and composer Connie Han’s Mack Avenue Records debut album.

You may not necessarily learn a whole lot more about the originators for the songs featured in ‘The Literature,’ but you’re bound to understand Rich Halley a little better. His sweet and spicy artistry uses a lot of quality ingredients.

“Helter Skelter” shatters previous stereotypes of the Beatles and, in turn, reveals the future of rock music.