Mark Wade, named one of jazz’s Top 10 bassists in the 2016 ‘DownBeat’ readers poll, joins Preston Frazier to discuss his second album ‘Moving Day.’

“I Would Have Waited Forever” kicks off a pieced-together so-called collaboration with four former key members, but they never actually played with Yes in the studio.

The baker’s dozen in this Best of 2017 list reveals that fusion jazz has expanded and diversified way past its ‘Bitches Brew’-era beginnings.

Released 10 years ago this month, ‘Rain’ confirmed that it was time to start paying attention to Joe Jackson again.

Mixing and matching experimental edges with bouts of moodiness, the Temptations stage more exceptional performances throughout ‘All Directions.’

Fifty years ago, the Crazy World of Arthur Brown’s “Fire” had to be just about the coolest thing you’d ever seen – and for parents, probably one of the scariest.

“Ain’t It Blue” was written in the spirit of Chicago’s early work and would easily fit on any of their classic, pre-Caribou Ranch records.

None of the great talent assembled here gets stretched near their limits for this Desertion Trio excursion, but this diversion is for an altogether different mood.

Jack Bruce and Robin Trower’s ‘Seven Moons’ arrived a decade ago this month, proving there was still a place in this world for vintage-sounding psychedelic blues-rock.

Put together by Mighty Shamrocks veteran Mickey Stephens, the Poor Blue’s ‘Wasteground’ is a rootsy, autobiographical tour de force.