The fact that “Woman Don’t Want to Love Me” is a lesser song on ‘Chicago VII’ is a testament to how strong the rest of the album really is.

Philipp Gerschlauer and David Fiuczynski getting together for ‘Mikrojazz: Neue Expressionistische Musik’ took microtonal music to new places, and there’s never a dull moment.

Hooky hard-rocking tunes, loaded with nifty noodlings, humming with momentum and good timing is where Chip Muellemann’s heart and soul resides.

Columbia Records touts the gospel-focused ‘Trouble No More’ as the “definitive retrospective of a pivotal period” in Bob Dylan’s canon. It’s not.

‘Wide Open’ may well be Michael McDonald’s most musically dense and compelling studio project – and that’s saying something.

Toto’s “Home of the Brave” isn’t just a song. It’s the storming crescendo of 1988’s ‘The Seventh One.’

“Not a Second Time” may be a hidden gem off ‘With the Beatles,’ but it has also become famous for two other words: “Aeolian cadence.”

A galvanizing performance on stage makes it three for three for Barry Altschul and his 3Dom Factor. We could stand for another one after ‘Live In Kraków,’ however.

Combining a catchy melody, a good story, amazing brass and prominent percussion, Chicago’s “Call on Me” is a purely enjoyable listen.

Steely Dan’s ‘Aja’ set the bar for finesse in pop and rock music, and that bar hadn’t been cleared yet.