Mixing humor with intelligent observations, Chip Muellemann’s ‘Life On Low’ is an album where the script is just as stimulating as the music.

“I got back to England, after a very successful tour – and my phone rings at 11:30 at night,” Keith Emerson remembered. “It was their then-manager Brian Lane.”

If American Football takes another long hiatus, Mike Kinsella is prepared. “I’m going to keep these jeans,” he mused, “and wear them again!”

You have to wonder why Manassas went under so many people’s radar, especially with the gap left by the breakup of Crosby Stills Nash and Young in 1970.

Julian Lage’s ‘Arclight’ is Lage’s first serious foray into the electric guitar on a record, with a seriously powerful trio and delving further into modern jazz and other forms.

George Martin could have made the Beatles toe the company line. Instead, Mike Tiano argues, he inspired them to greatness by working as a musical and production collaborator.

Jumping with joyful energy, the Secrets’ “Feel Pretty Good” is honestly one of the best power pop workouts ever to be.

The records, those sounds – even in George Martin’s awful absence – will remain, forever.

“The Fish (Schindleria Praematurus),” from Yes’ 1971 album Fragile, is a fitting contribution from the late, great Chris Squire.

The ‘Pierced Arrow’ advance track “Virtual World” exemplifies everything that’s right about the Rides: a comfortable confidence that can only come from stellar musicians with nothing left to prove.