King Crimson moved far afield on Discipline, but didn’t forget its roots
Released this week in 1981, ‘Discipline’ found a retooled King Crimson stirring new wave elements into their essential prog sound.
Released this week in 1981, ‘Discipline’ found a retooled King Crimson stirring new wave elements into their essential prog sound.
‘Psychedelic States: Florida in the ’60s Vol. 4’ focuses on teen garage rock sounds rather than the acid-drenched dementia its title suggests.
Animation’s ‘Machine Language,’ a final gift from Bob Belden, leaves no doubt that his adventurous spirit lives on. Hopefully, forever.
‘Step It Up’ is not merely a title just as ‘The Jeff Lorber Fusion’ isn’t merely a name. It’s a challenge and Lorber with Jimmy Haslip rose up to meet it.
Toto moves into solid R&B/funk territory with “Mama,” a David Paich co-write that finds Bobby Kimball delivering his best vocal on ‘Hydra.’
AndersonPonty Band’s “I See You Messenger” is a meeting of the minds between two still-vibrant and visionary musicians from the ’70s.
Full of moments of beauty and offbeat explorations, Kari Ikonen Trio’s ‘Beauteous Tales and Offbeat Stories’ goes beyond their sublime prior release ‘Bright’.
Much like Christopher Bowes’ other band Alestorm, Gloryhammer doesn’t take its themes too seriously. The music, however, is another matter.
I’m still looking for a published interview where any of the Beatles or producer George Martin indicate a preference for monaural sound.
There’s more than a little satisfaction in hearing the champion of perhaps the most prestigious individual award from the straight jazz world stray way, way off the reservation.