Most fans are familiar with “Silver Springs” as Fleetwood Mac’s 1997 comeback single after Stevie Nicks and Lindsey Buckingham returned for the live album The Dance, released on August 19, 1997. But it boasts a complicated backstory.
Stevie Nicks had originally written the song years before, and hoped to have it included on Fleetwood Mac’s 1977 blockbuster studio effort Rumours. The physical limitations of the old vinyl LP format ended up getting in the way, however.
Nicks would learn the news in a fashion that still sticks with her.
“I wrote ‘I Don’t Want To Know’ about Lindsey and I,” Stevie Nicks once told Classic Rock Society, “and I didn’t want ‘I Don’t Want to Know’ on the record. I wanted ‘Silver Springs’ on the record. Lindsey wanted ‘I Don’t Want to Know’ on the record, and recorded it — without telling me. I went in, and it was recorded, and ‘Silver Springs’ was off. It went off, because it was too long. The version that everybody heard was, like, four minutes and something seconds, but it was really seven minutes. And it was an incredible seven minutes.”
An edited studio version was ultimately relegated to the b-side of “Go Your Own Way.” When Fleetwood Mac returned to the song some 20 years later, Stevie Nicks’ belief in its was justified. They earned a Grammy for best pop performance for the ’97 live version.
“It was too long; ‘I Don’t Want to Know’ was a lot shorter,” Nicks adds. “But the choice to take ‘Silver Springs’ off and put ‘I Don’t Want to Know’ on will go down as the biggest question in history, as to whether that was the right thing to do or not.”
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It just proves that writers know best and music labels are run by business professionals without a shred of a gift compared to Stevie Nicks. The woman taught me a tiny fraction of what she knows and I was able to use her advice to move up from a high school dropout to a published writer providing an income for myself as a disabled veteran. Stevie is possibly the most talented writer I’ve ever had the pleasure to converse with, or maybe it’s just that I prefer women as friends these days. I just find it unfathomable that suits with only a business degree and no experience in music would ignore Stevie’s instincts! I created a music label for another famous songwriter and I made the musicians their own executives in the LLC paperwork based on Stevie’s example as an experiment. In theory, it will work, but hasn’t yet, because the elderly songwriters don’t fit in with this modern music market resembling an automobile manufacturing plant rolling out next year’s model. Ms. Nicks and I might disagree on occasion, but the music executives are absolute morons if they don’t listen to her. And I do love her new music, but thanks to apparent micro strokes, the tunes may have dredged up the past in the most confusing ways. She was right about learning in a public library when my parents died more than 30 years ago, she was right about my learning the electric guitar for therapy after my wife died and Stevie’s right about her music too. Stevie’s got this annoying habit of always being right.