Yes seemed to have stumbled a bit with their sophomore album Time and a Word. Released in November 1970, the project would be the last to feature Yes’ original line up — and would also be the first to feature heavy use of a sting section.
Upon repeated listening, one notes a number of gems on Time and a Word; singer Jon Anderson, in particular, seemed to have developed his writing chops. The album’s first song, “No Opportunity Necessary, No Experience Needed” highlights Yes’ arranging prowess as they do a major reworking of a Richie Havens composition. But, as Yes moves boldly forward, producer Tony Colton seems a little at a loss. The outcome overall is mixed, even if Time and a Word offers an intriguing glimpse into what might have been, had the world’s greatest progressive band not connected with producer Eddie Offord and second guitarist Steve Howe.
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Peter Banks was particularly at odds with Jon Anderson over the direction of Time and a Word, but this tension did not seem to impact “No Opportunity Necessary, No Experience Needed.” Tony Kaye’s growling Hammond organ gets the song off to a rousing start, before the orchestra makes a somewhat jarring appearance. Anderson, singing lower in his register than usual, gets things going over Bill Bruford’s frantic back beat.
The orchestra comes in again, with a swirling interlude which could have easily been covered by a Banks guitar solo. Yes’ trademark harmonies are there too, with bass maestro Chris Squire joining Anderson in harmony. Ultimately, however, this is a Yes song which doesn’t quite sound like Yes. A subsequent reissue of Time and a Word contains the track’s original mix, which is a little more focused — but not much.
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