Crunchy where they might have been folky before, the Indigo Girls’ punchy “Happy in the Sorrow Key” simply pulls no punches.

Has Yes finally hit upon a successor to Jon Anderson who diehard fans will accept? Keyboardist Geoff Downes thinks so – and here’s why.

Paul McCartney’s underrated “What You’re Doing” foreshadows how the Beatles would test the limits of rock later in the 1960s.

Adam Lambert has learned many things during his time fronting Queen, not least of which is how to approach both fame and the nightlife.

Graham Parker and the Rumour returned after three decades as if nothing had changed. Everything had changed, of course. Well, except for these guys.

Daniel Lanois had already produced a slew of stars prior to his first record for Bob Dylan. Still, he was wary when it came to 1989’s ‘Oh Mercy.’

Bluey’s new tune “Saints and Sinners” doesn’t get the point across from the lyrics alone: the music delivers, too.

Here is a review of trumpeter Jeff Oster’s new groove-laden new age release ‘next’, featuring Nile Rodgers, Chuck Rainey and Bernard Purdie.

When Steve Cropper finally got a chance to work with Percy Sledge, he did everything he could to make it happen — regardless of the cost.

A promising-but-still-transitional composition from Jon Anderson, Bill Bruford and Chris Squire, “Harold Land” points to bigger things from Yes.