“Universe-sized Arms” is a strange-bird of a song, so much like the earliest of Chris Stamey’s triumphs but also like something else entirely.

Released this week in 1981 as part of ‘Modern Times,’ “Find Your Way Back” represents the zenith of Jefferson Starship’s heavier-rocking period.

Micky Dolenz will always be associated with his role in the Monkees. But he’s actually had a lengthier association with another character.

“Baby’s in Black” signaled the Beatles’ rapidly growing interest in musical experimentation, even as it showcased the Lennon-McCartney bond.

As the Yardbirds’ guitarists have changed, so has the band itself – perhaps, most famously, when Eric Clapton was succeeded by Jeff Beck.

“Hell to Pay” doesn’t represent the rootsy Bonnie Raitt pushing Boz Scaggs into a new direction, so much as reminding him from whence he came.

Silent for more than two decades now, Booker T. and the MGs have lost another member since their most recent studio project.

The sweeping, deeply inspiring “Rise” keeps the synths, even as Todd Rundgren begins looking outward rather than inward.

Chad Bradford’s new song “A Day Before Tomorrow [A Day After Yesterday]” simply buzzes with hit-single ingredients.

William Shatner’s bold, brilliant ‘Has Been’ rocks with a wild abandon. Even the ballads are forceful enough to bring a Vulcan to tears.