Steve Cropper has been playing “Midnight Hour,” “Green Onions” and “Soul Man” for decades. It’d be understandable if he became tired of them.

Pattie Boyd gives fans an exclusive peek into the rehearsals for ‘The Last Waltz’ concert by the Band, saying “it was so exciting, very exciting.”

Here’s a review of Marc Cary’s next album, the eclectic/electric ‘Rhodes Ahead Vol. 2,’ a multi-ethnic fusion affair that reveals the Fender Rhodes’ possibilities.

Songs like “Burn” show how well Toto operated creatively on ‘Toto XIV.’ So why does David Paich say it might be their last album?

Ringo Starr has always loved reanimating his storied past in song, but rarely has he hit on such a winning combination of whimsy and memory.

Here is a review of Tim & Caio’s wonderful world music concoction ‘In Brazil’, and strong set of nimble, catchy tunes due out March 10.

Judas Priest’s ‘British Steel’ and ‘Screaming for Vengeance’ get the praise, but a new reissue of ‘Defenders of the Faith’ shows it’s their equal.

Presented from the start as a next-gen Janis Joplin, Beth Hart has a well-earned reputation as a whiskey barrel-busting belter. This isn’t that.

Newcomer Jerry Woods’ phrasing and inflection, mirroring moments ranging from latter-day Beatles to Todd Rundgren, are lively and commanding.

“I See You” hints at the wide-screen experimentation to come for Yes, though in this early incarnation they tend more to psychedelia than prog.