Preston Frazier has a Something Else! Sitdown with producer, bass player, composer and multi-instrumentalist Leslie Johnson.

I worried going into Sweet and Lynch’s ‘Only to Rise’ about the way Michael Sweet and George Lynch would mesh. I shouldn’t have.

John Wetton’s reunion with former King Crimson bandmate Robert Fripp was bound to stand out on a new ‘Studio Recordings Anthology.’

The late, insanely talented Kevin Gilbert takes on a Led Zeppelin classic — and comes out on top.

Most usually focus on Steve Lukather and Jeff Porcaro’s turns on “Georgy Porgy.” But Toto’s secret weapon turns out to be David Hungate.

Hall and Oates have made no secret of their reluctance to become MTV-age stars, having emerged from the roosty, and rooted, folk scene.

Death Cab for Cutie’s “The Ghost of Beverly Drive” feels like the centerpoint in this album’s unusual journey both with and without Chris Walla.

This month, Steely Dan’s ‘Katy Lied’ turned 40 years old. Here are some reasons why it’s good enough to overcome an infamous mixing fiasco.

An unexpected Violent Femmes reunion a few years ago didn’t seem to produce anything in the way of new music. At least, until now.

Help jazz percussion great Warren Smith get some memorable material from a recent residency at NYC’s The Stone club released and keep his legacy intact.