Mumford and Sons’ electrified “Believe” feels more like an evolution, organic and heartfelt, than a sharp right turn.

Deep Purple’s stunning breakup with founding guitarist Ritchie Blackmore was about more than personality clashes, Ian Gillan says.

Here is a review of ‘In The Mix,’ the first album in almost five years by the multi-talented contemporary bluesman Bernard Allison.

Top Topham was, until his recent return, the forgotten founding guitarist of the Yardbirds. He heaps praise now on one of those who followed.

Connections to their shared history stream through every quiet moment of Chris Stamey’s new song with Mitch Easter — and even more light.

A portion of Mark Knopfler’s upcoming album ‘Tracker’ grew out of shared experiences on the road with Bob Dylan.

Merrell Fankhauser’s contributions to the music scene are priceless, and I’m thrilled to say his memoir is just as worthy.

Few can imagine Micky Dolenz as anything other than one of the Monkees. But it very nearly turned into his second-most famous role.

Steve Hackett describes ‘Wolflight’ as a journey, through both outer and inner space. The advance song is a ride far more visceral, tangibly thrilling.

Ringo Starr’s comfy, aw-shucks persona often obscures his very real talents as a drummer. Then you hear a song like “Right Side of the Road.”