Robert Earl Keen, “Footprints in the Snow” from Happy Prisoner (2015): One Track Mind
Robert Earl Keen’s take on Bill Monroe’s “Footprintw in the Snow” is this the best kind of cover song — timeless but personal.
Robert Earl Keen’s take on Bill Monroe’s “Footprintw in the Snow” is this the best kind of cover song — timeless but personal.
Offering an alluring mix of original pieces and standards, Marianne Solivan’s ‘Spark,’ is a smoking session of well-rounded material.
Despite leading his own groups for decades, Nils Lofgren still enjoys the challenge of collaborating with Bruce Springsteen and the E Street Band.
Here is the exclusive video premiere of “Mushmouth,” a track by Athens, Georgia’s own Kenosha Kid from their upcoming album ‘Inside Voices.’
This collection of early Rare Earth favorites returns us to a period when rock music prompted people to listen, learn and react.
For Micky Dolenz, Mike Nesmith’s reunion with the Monkees was as long awaited as it was deeply emotional.
UK guitar session vet Ray Russell gets back in touch with his trash-jazz side in this advance stream from the upcoming ‘Celestial Squid,’ a collaboration with Henry Kaiser.
Pink Floyd’s Nick Mason, one of the most vocal critics of U2’s iTunes gambit, says he’s seen the future of music on the internet. It just needs more users.
Diana Krall is better than these arrangements, better than this album, better than she’s too-often presented — even though those records sell the most.
Eleven hours into work on ‘Another Good Road,’ John Oates decided to cover his old favorite ‘Stack O’ Lee.’ It proved more difficult than he’d imagined.