Carmine Appice attacks from the right, while Vinny sets up on the left for ‘Drum Wars Live!,’ creating a gloriously thunderous racket.

Though a myriad of musical fashions pepper Jamie Hoover’s ‘Two Ever,’ a potent pop feel is engraved within the grooves.

Neither seemed all that interested in ‘The Last Waltz.’ But their performances are the heart and soul of the film.

If there’s a balm for fans to ease the breakup/hiatus of Nevermore, it has to be this: The first new music from Sanctuary since 1989.

This legendary amalgam of 1970s-era fun seekers once had a much different purpose, according to the Monkees’ Micky Dolenz.

Keith Jarrett’s ‘Hamburg ’72,’ with Charlie Haden and Paul Motian, bears witness to a talent in the process of exploding in many directions.

Cracker always stood with a foot in both of these California music beds. ‘Berkeley to Bakersfield’ fully explores their twinned inspirations.

Tom Petty enthuses about the Traveling Wilburys off-handed creative spark, saying they’d record a track, then write the lyrics over dinner.

A Yes pre-cursor group, Mabel Greer’s Toyshop has returned — with a whole new set of connections to the legendary prog amalgam.

Electroacoustic musique concrète might not make for the most harmonious sound, but it can be so fascinating. Especially when Attilio Novellino, Saverio Rosi, Tim Barnes and Rob Mazurek pool their ideas together.