If you were wondering how the perennially circumspect Aimee Mann came to be in a band called the Both with riffy indie-rocker Ted Leo, look no further than the aptly titled “Milwaukee” from their forthcoming eponymous debut. You May Also Like: The Only Thing That Disappointed Me About Aimee Mann’sRead More

Fans were understandably taken aback when Neil Young suddenly pulled Time Fades Away from the list of releases for Record Store Day, though they likely assumed he simply wanted to continue tinkering with the out-of-print 1973 live document. You May Also Like: David Crosby is reaching out to Neil Young,Read More

After the lackluster Shot to Hell — the band’s weakest album — in 1996, Black Label Society, which had been churning out pretty much an album a year to that point, took an extended break. Zakk Wylde returned with a vengeance on 2010’s Order of the Black, finding the fireRead More

How appropriate that the Emporers of Wyoming, a Butch Vig band more than three decades in the making, has fashioned a folk-reverie out of the Afghan Whigs’ crunchy “Rebirth Of The Cool.” You May Also Like: David Philips, “Home” from Winter (2017): Something Else! sneak peek

We’ve firmly established a few things about Daniel Rosenboom from his Best of 2013 release Book of Omens: he’s a fearless composer, bandleader, and trumpet player who lunges headfirst into the frontiers of modern progressive jazz You May Also Like: Daniel Rosenboom – Book Of Storms (2016) Daniel Rosenboom –Read More