Close your eyes, and there’s no way you picture this guy singing these songs. The guy with the glasses, the suit, the flushed cheeks. You May Also Like: No related posts.

Though my mind sometimes likes to classify all “big band” jazz into that Benny Goodman/Glenn Miller/Paul Whiteman box, doing so ignores the innovations in working with larger groups brought by Fletcher Henderson, Sun Ra and, mostly prominently, Duke Ellington. You May Also Like: Rickie Lee Jones, Alexis Evans, Shawn MaxwellRead More

The songs, after a long time away, just started floating to the surface for Benmont Tench. He’d been a member of Tom Petty’s staggeringly underrated band the Heartbreakers forever, had even had a Nashville writing gig for a time. You May Also Like: Mudcrutch’s belated self-titled debut brought Tom PettyRead More

There had been some talk about an autobiography from Steve Lukather, the co-founding Toto guitarist who’s played on countless sessions. That project has been shelved, however, amidst a flurry of new activity. Lukather had been at work on the book with Lonn Friend, a Grant High School classmate and ex-editorRead More

Rattling out like a loose-mufflered muscle car, Dark Night of the Soul is a more raw-boned version of Jimbo Mathus’ typical roots rock — darker and harder, like a grittier, more visceral take on the mythical parables of the Band. You May Also Like: Robert Randolph & the Family BandRead More

Over both ’11 Tracks of Whack’ and ‘Circus Money,’ this Walter Becker solo song is his most Steely Dan-ish.

Left to her own devices after a band breakup, Austin-based singer-songwriter Amy Edwards found herself stuck between her melancholy over what had been and her hopefulness for what might come next. Ghosts and Saints, at times hard-eyed and at others remarkably open, is stronger for that essential dichotomy. She purrsRead More

The Walter Becker-produced tracks on China Crisis’ unjustly overlooked 1989 album ‘Diary of a Hollow Horse’ represent their best work to date.