Albums constructed apart have allowed Peter Gabriel, Phil Collins and Steve Hackett to explore areas of their songcraft that might have gone undiscovered in Genesis. Certainly, as we examined these five solo deep cuts, there emerged a deeply personal theme that was rarely there before — and that stretches fromRead More
“Lies and Truths,” a key cut from Joe Satriani’s new solo effort Unstoppable Momentum started life as a demo called “Fast Robot.” He left it that way, just to see what his bandmates would come up with. You May Also Like: Joe Satriani’s ‘Is There Love In Space?’ Showcased HisRead More
With Stereolab gone on (possibly permanent) hiatus, let’s admit that we took the “groop” for granted. You May Also Like: Paul McCartney says the Beatles used Motown as a template – for what not to do My Chemical Romance Transcended Modern Rock With ‘Three Cheers For Sweet Revenge’
Geezer Butler takes stock, as Black Sabbath kicks off a 20-city North American tour behind its reunion record with Ozzy Osbourne — and he says it’s just like old times. You May Also Like: Black Sabbath – ‘Black Sabbath’ (1970): On Second Thought Black Sabbath’s Often-Dismissed ‘Sabotage’ Is Far BetterRead More
Still going on a tear following his widely-acclaimed Kind Of Brown (2009), the prodigious bassist Christian McBride has since produced two records in 2011 and soon to be two in 2013; You May Also Like: Rob Mazurek Quintet’s hypnotic, diverse Sound Is rewarded close listens Michael Dease – Decisions (2015)Read More
The long-hoped-for reissue of Harry Nilsson’s final full-length solo album would be big enough news. How about an all-new version of his John Lennon collaboration “Old Dirt Road”? You May Also Like: Harry Nilsson played a key role on Ringo Starr’s Liverpool 8, 14 years after his death Ringo Starr’sRead More
Three new subscribers to Something Else! have been chosen to receive copies of Rhythm and Blues, the new studio effort from Buddy Guy You May Also Like: Jorge Calderon – ‘Blue Rhythm Highway’ (2018) Denise LaSalle, Soul-Blues Belter (1939-2018): An Appreciation