Foghat fan Phil Dessinger has won a contest to add lyrics to “495 Boogie,” the classic rock band’s first-ever instrumental. The new track, steaming here, is called “The World of Rock n’ Roll.” You May Also Like: JUNO Fever (or Not): The Modern World Meets the Boogie Woogie Flu ExploringRead More

It’s hard to deny the electricity, enthusiasm and emotion of Afro-Cuban music, and a certain drummer out of San Francisco has captured that essence in leading a band of like-minded specialists of the music form. You May Also Like: Richard Turgeon, “My Guitar” (2020): One Track Mind

You could be forgiven for wondering, after absorbing the idea of David Lee Roth as Japanese hitman in his weirdly transfixing new short film, whether that giant tattoo on the Van Halen frontman’s back is real. You May Also Like: No related posts.

I really love the first paragraph of this article It’s happened to so many People Of A Certain Age — you wake up to Foghat’s “Slow Ride” blaring through your little clock radio, and you suddenly realize you’ve been listening to the same 100 classic rock songs You May AlsoRead More

After hearing about it, I finally watched the video to Miley Cyrus’ new single “We Can’t Stop.” Here’s my beef: I get the whole breaking away from Hannah Montana thing. You May Also Like: Laurence Juber – LJ Can’t Stop Playing the Beatles (2017)

This exclusive in-concert stream from Billy Cobham, one of jazz rock’s most powerful drummers but also one of its most rhythmically intriguing, combines key moments from two-early 1970s solo efforts. You May Also Like: Billy Cobham’s Crosswinds Project, March 28, 2018: Shows I’ll Never Forget Conversation with Billy Cobham, PartRead More

The manager of the sheet-metal factory where Black Sabbath’s Tony Iommi lost the tips of two fingers helped him regain his passion for the guitar — by playing an album from the gypsy jazzer Django Reinhardt. You May Also Like: Why Black Sabbath’s Tony Iommi Was Only in Jethro TullRead More

Nearly 45 years later, the cover of King Crimson’s ground-breaking debut album is understood to be a genre-defining prog classic — and the personification of the project’s signature song, “21st Century Schizoid Man.” You May Also Like: Why King Crimson’s Biggest Hit LP Was ‘So Fully Formed, But Also SoRead More

A trombone/keyboards/drums trio doesn’t guarantee that the music will be progressive, exciting or unique, but Brainkiller offers no such letdown. You May Also Like: Chicago + Al Green, “Tired of Being Alone” (1973): Saturdays in the Park

“Get Up,” a newly shared follow up to Mike and the Mechanics’ 2011 release The Road, is intriguing in that it doesn’t at first sound like Genesis or, for that matter, Mike and the Mechanics. You May Also Like: How Mike and the Mechanics’ ‘The Living Years’ Helped Bridge anRead More