After hearing about it, I finally watched the video to Miley Cyrus’ new single “We Can’t Stop.” Here’s my beef: I get the whole breaking away from Hannah Montana thing. You May Also Like: Laurence Juber – LJ Can’t Stop Playing the Beatles (2017)

This exclusive in-concert stream from Billy Cobham, one of jazz rock’s most powerful drummers but also one of its most rhythmically intriguing, combines key moments from two-early 1970s solo efforts. You May Also Like: Billy Cobham’s Crosswinds Project, March 28, 2018: Shows I’ll Never Forget Conversation with Billy Cobham, PartRead More

The manager of the sheet-metal factory where Black Sabbath’s Tony Iommi lost the tips of two fingers helped him regain his passion for the guitar — by playing an album from the gypsy jazzer Django Reinhardt. You May Also Like: Why Black Sabbath’s Tony Iommi Was Only in Jethro TullRead More

Nearly 45 years later, the cover of King Crimson’s ground-breaking debut album is understood to be a genre-defining prog classic — and the personification of the project’s signature song, “21st Century Schizoid Man.” You May Also Like: Greg Lake compares this era to the one that sparked King Crimson: ‘YouRead More

A trombone/keyboards/drums trio doesn’t guarantee that the music will be progressive, exciting or unique, but Brainkiller offers no such letdown. You May Also Like: Chicago + Al Green, “Tired of Being Alone” (1973): Saturdays in the Park Michael Dease – Decisions (2015)

“Get Up,” a newly shared follow up to Mike and the Mechanics’ 2011 release The Road, is intriguing in that it doesn’t at first sound like Genesis or, for that matter, Mike and the Mechanics. You May Also Like: How Mike and the Mechanics’ ‘The Living Years’ Helped Bridge anRead More