Mike Dillon calls himself an “electronic vibraphonic go go funk punk rock jazz screaming being,” which is 100% accurate, and if that doesn’t get you interested in his music, then GTFO. You May Also Like: Mike Dillon & Punkadelick – ‘Inflorescence’ (2023) Mike Dillon – ‘1918’ (2021)

Alternately volcanic, fragile, and threatening, but always jagged, Black Host is as inscrutable an ensemble as there is, consisting of five well-established figures of advanced jazz. You May Also Like: Brandon Seabrook, with Cooper-Moore + Gerald Cleaver – ‘Exultations’ (2020) Brandon Seabrook, Cooper-Moore + Gerald Cleaver – ‘In the Swarm’Read More

If you read enough writing about Springsteen, sooner or later you’ll discover that every song he’s ever done has been thought of as his “worst” by somebody. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

In making ‘Magnetic’ such a collaborative, free-flowing effort, Terence Blanchard has fashioned one of his most layered studio efforts ever.