Deep Purple has returned with one of its most complete recordings in recent memory, and it all began when Ian Gillan and Co. were discussing whether they should even attempt a studio effort like Now What?! You May Also Like: Ian Gillan on the differences between solo and Deep PurpleRead More

Emily Bear plays her piano with a finely nuanced touch, with both her comping left hand and a right hand that can cascade notes like sand pouring out of your hands. The song, her own, is a circular figure to which she discreetly adds graceful touches You May Also Like:Read More

When Geoff Downes was invited, along with fellow Buggles co-founder Trevor Horn, to join Yes just before 1980’s Drama, the keyboardist was taking over a seat once warmed by the legendarily talented, and memorably caped Rick Wakeman. You May Also Like: Geoff Downes Talks Up Yes’ Often-Forgotten ‘Drama’: ‘It’s aRead More

It’s classical. No, wait. It’s contemporary jazz. Sure, but that’s not exactly it, either. Latin pop? That, too. In fact, Quattro’s deliciously uncategorizable forthcoming album Popzzical includes all of that, but ultimately fits somewhere in between. You May Also Like: Luca Crispino, Danilo Gallo, Luca Pighi + Roberto Zorzi –Read More

1977’s Rumours, it’s worth noting, wasn’t always the best-selling album in Fleetwood Mac’s career. In fact, not long after they finished it, Mick Fleetwood says the group attempted to perform the project sequentially — with disastrous results. You May Also Like: Stevie Nicks untangles the history of Fleetwood Mac’s ‘SilverRead More