Gregg Rolie begins with a simmering piano signature, then slowly settles into a greasy groove — setting the stage for some of his first new music since a 2011 solo EP. Before that, Rolie last issued a full-band studio effort in 2001, with Roots. You May Also Like: At first,Read More
Rich Halley is a DIY guy in the jazz world, just as he’s a free spirit in his personal life. Last summer, he took his son Carson and a nephew out hiking the entire range of the Wallowa Mountains in eastern Oregon. You May Also Like: Rich Halley 4 –Read More
Nearly a year after releasing a celebrated collaboration with fellow prog legend Chris Squire of Yes, Steve Hackett says another album could be in the offing. The former Genesis guitarist says it just a matter of scheduling. You May Also Like: Steve Hackett on ‘Night Siren,’ Chris Squire’s Legacy andRead More
Slotted high on lists as one of the greatest debut albums of all time, ‘Buffalo Springfield’ introduced the public to a revolutionary new sound.
Peter Criss, who helped Kiss to its highest-ever charting single, continues to excoriate his former band for continuing with new members performing in the classic makeup that he and fellow founding member Ace Frehley originally wore. You May Also Like: How ‘Revenge’ Became Kiss’ Last Gasp of Greatness Kiss’ return-to-formRead More
Long a shadowy figure, Shuggie Otis had become known more for his absence than for psychedelic soul successes like 1974’s Inspiration Information and writing songs like Brothers Johnson’s No. 5 1977 hit “Strawberry Letter 23” You May Also Like: Otis Redding’s “Dock of the Bay” emerged out of crushing grief:Read More
The Moody Blues have been inextricably linked to the Beatles since the 1960s — and not just because Denny Laine eventually became a cornerstone of Paul McCartney’s solo band Wings. For Justin Hayward, “Love Me Do” was a big-bang moment. You May Also Like: The Moody Blues’ John Lodge, “10,000Read More
<<< BACKWARD (“Fall Of ’92”) ||| ONWARD (“Medical Science”) >>> *** STEELY DAN SUNDAY INDEX *** With vicious and vulgar prose, it’s easy to figure out why “Fall of ’92” failed to get included on 11 Tracks of Whack. I’m not really sure what barred “Lies I Can Believe” fromRead More
