Don Felder, best known for writing the music for “Hotel California” and his hit title track for the 1981 film “Heavy Metal,” hasn’t exactly been prolific away from the Eagles. In fact, the forthcoming Road to Forever is just his second solo release ever. You May Also Like: No relatedRead More
With a proposed album of covers with Crosby Stills and Nash now scuttled, never-ending delays with ZZ Top’s new project, and similar mishaps with Slipnot and Muse, the question becomes: Has Rick Rubin, once a sure-fire producer, lost his touch? You May Also Like: No related posts.
As any Beatles student knows, the four made no secret of their love for R&B. Before they conquered the world, they cut their teeth on tracks by Little Richard, Arthur Alexander, Smokey Robinson and the Miracles You May Also Like: The Beatles, “Not a Second Time” from With the BeatlesRead More
Mike Keneally joined us to talk about working with – and working without – XTC’s Andy Partridge on the terrific ‘Wing Beat Fantastic.’
Columbus, Ohio’s fo/mo/deep calls themselves an “Eclectic Groove Oriented – Funky Jazz Collective,” and it’s truth in advertising. You May Also Like: Manu Katché – Unstatic (2016) Peter Erskine and the Dr. Um Band – Second Opinion (2017)
Nervy in its ambitions, thrilling in its sense of influence-smashing alchemy, and memorable for its raw emotional honesty, Adam Gilbert’s A Generation of Forgotten Kings is an exciting find. You May Also Like: No related posts.
Jon Herington gets to show off sides of him you won’t hear on a recent Steely Dan-related album or see live when he’s touring.
Mike Keneally’s memorable stint as a sideman with Frank Zappa looms large, even in the song-focused environment of ‘Wing Beat Fantastic.’
By the late 1960s, pop music’s vocabulary had expanded to such a mercurial degree that anything and everything not designed of conventional procedures was seemingly placed under the banner labeled psychedelic. Providing a nice glimpse of what some of our British cousins were peddling during this wildly fertile and creativeRead More
Peter Green Splinter Group’s ‘Blues Don’t Change’ was scalding in its honesty, ageless in its sense of community, and beautiful in its simplicity.
