We love Adele’s poise, her earthy attitude, the roiling emotion in her voice. So why don’t we love the newly crowned six-time Grammy winner’s album 21? Blasphemy, right? Read on as we share are thoughts on several of those who walked away with 2012 awards last night, including Tony BennettRead More

As Glen Campbell sang his signature tune “Rhinestone Cowboy” for likely the last time on stage, I thought of another song he’s famous for.

It’s a short, inner-directed musing, but one that encapsulates the desperation that’s one of the essential elements of Darkness On The Edge Of Town. Bruce wanted this album to be relentless, to never let up You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E StreetRead More

A fizzy combination of Cocteau Twins-style dream-pop and stamping R&B grooves, Poliça is a meeting of the musical minds by electronica producer Ryan Olson (Gayngs) and vocalist Channy Leaneagh. Together, they’ve fashioned an album in the forthcoming Give You The Ghost that is both haunting and hooky — like next-genRead More

A vibraphonist very much in the tradition of Lionel Hampton, Peter Appleyard — who’d, fittingly, worked with Benny Goodman in the period that these recordings were made — has issued 21 albums as a leader. Unfortunately, many (maybe most) of them have long been out of print, including a pairRead More