Kimmel’s music stretches the elasticity of the music about as far as it can go short of being free jazz. Firm, bop-based themes are often set up at the beginning of songs before the band proceeds to thoroughly deconstruct them. The exuberant “Riposte” does just that, as Kimmel and Jackson tests timbre possibilities on their respective horns. My favorite of the batch is “Brownlands” (Youtube below), which is blues-y but not a blues, and contains some wonderful reciprocity between the two reedists. “Ballad,” the only song here not composed by Kimmel, is instead contributed by Riordan. It’s ironically the one track that doesn’t keep time, allowing the performers to go exploring out even further away from structured modes. At the same time, the Quartet never abandons the fundamental building blocks of the jazz tradition, and a song like “Charm Offensive” can swing with the best of ’em.
It’s noteworthy that Jeff Kimmel calls himself not only a bass clarinet player and composer, but also an improviser. It means he understands that improvising is a way of creating music apart from merely playing it and composing it. Along with his Quartet, Kimmel brings all three sides of his artistry together in a solid first effort.
Purchase Charm Offensive here. Visit Jeff Kimmel’s website.
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