Not so much so-called “new folk” as an interesting distillation of country, blues, gospel and soul, Martin Sexton since his out-of-nowhere self-produced 1991 cassette debut has become the very definition of modern-day troubadour. You May Also Like: No related posts.

Danny Seraphine discusses a pair of signature tracks he co-wrote while in Chicago, and a rambunctious remake of one of their best-known early rockers.