Spock’s Beard’s neo-prog debut arrived at just the right time, as old-line legends in the genre like Yes and Genesis cratered out in the 1990s. You May Also Like: Neal Morse Did It All (Again) on ‘Songs from November’

When I listen to Rob Garcia’s new album The Drop And The Ocean, the same adjectives come to me as they did for his prior album, Perennial, which are “seductive,” “lyrical,” “well-conceived,” “well-designed,” and Garcia’s drumming being “sensitive” and “delicate.” What I’d probably could add to that is Garcia’s drummingRead More

And the change was made uptown and the Big Man joined the band I have heard Bruce play this story of the E Street band many, many times. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’