by Tom Johnson Ryan Adams regained the focus he had with 2000’s Heartbreaker and 2001’s Gold, turning out one of the strongest sets of music of his career here. What came through, even after a few spins, what grabbed me, was that behind the usual country tinges was a littleRead More
On an album boasting a number of dark ruminations on this digital age, Billy Sherwood takes a second on “Living in the Now” to contemplate the answers.
We became acquainted with the Idahoan rocker Jeff Crosby last spring not long after he unveiled his debut release, a very promising EP called Too Many Walls. But that was just an appetizer. You May Also Like: No related posts.
Dallas, Texas-based Laura Ainsworth, though performing last-century throwback cocktail jazz, may have stumbled into a zeitgeist-defining moment with the opening title track here. Whether she knew it or not back in the recording studio, Ainsworth’s delicious tale of revenge exacted on a serial philanderer is perfectly of the moment YouRead More
What a week. Sort of dreamlike. It started with an early morning, five-hour drive through the rain on Monday (which initiated the dream thing). Then I got even more heavily involved in the new Wilco CD than I did last week. You wouldn’t think that this would add to theRead More
I have a confession to make. The other morning, while munching on a bowl of hemp granola and slurping my first cuppa, I watched a Justin Timberlake video … and I really liked the song You May Also Like: Far Out Monster Disco Orchestra, “Give It to Me” (2018): OneRead More
On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to jazz drummer Chico Hamilton. You May Also Like: Digging Into Craft Recordings’ 2021 Chet Baker Vinyl Reissues
by Tom Johnson I have to be forgiven if I refer to this album as sounding like Frisell “getting back to his roots.” His roots, to me, are not necessarily his original sound but where I picked up with this great guitarist — the era in the early to mid-1990sRead More
At its heart, this is a piano record, filled with moving ballads that connect on a deeply emotional level. Elsewhere, however, Bobby Katz shakes things up considerably. You May Also Like: Clannad – ‘In a Lifetime’ (2021)
It was only about two weeks ago when I last reviewed a contemporary take on Miles Davis’ beautifully pensive “Nardis.” So why again? You May Also Like: Rudresh Mahanthappa – ‘Hero Trio’ (2020)
