There’s a world-weary melancholy, a hard-won realism, to Styx’s new song that didn’t exist in Tommy Shaw’s fun-rocking “Renegade” days, and that points the way out of the band’s more recent habit of backtracking You May Also Like: Inside the classic pre-Tommy Shaw moment that predicted everything for Styx

by Mark Saleski, in Manchester N.H. Leo Kottke brought his one-man encyclopedia of acoustic guitar to Manchester’s Palace Theatre that night. You May Also Like: Ward Davis, March 3, 2023: Shows I’ll Never Forget Billy Cobham’s Crosswinds Project, March 28, 2018: Shows I’ll Never Forget Captured! By Robots, March 28,Read More

Australian native alto sax practitioiner Nick Hempton is distingished by his smooth tone and direct delivery. The Business is distinguished by a few things, too. First of all, Hempton is joined by Art Hirahara, is in-demand session pianist who last spring delivered a solid album himself. Secondly, Hempton’s eight originalsRead More

A recent discussion around the water cooler at Something Else! Towers got me thinking about the development of my musical tastes. The topic was how the Internet has changed music consumption. One of the points raised was that the availability of music on the web has allowed people to sinkRead More

by Tom Johnson Ryan Adams regained the focus he had with 2000’s Heartbreaker and 2001’s Gold, turning out one of the strongest sets of music of his career here. What came through, even after a few spins, what grabbed me, was that behind the usual country tinges was a littleRead More