Iron Maiden fans who wanted this thing waited and waited, patiently enduring month after silent month of absolutely no word at all.

Willie “Big Eyes” Smith, a former sideman with Muddy Waters who became a Grammy-winning performer in his own right, has died. You May Also Like: How Muddy Waters Came Roaring Back With ‘Hard Again’

Listen in as Paul McCartney makes his initial foray into the world of dance with the forthcoming release Ocean’s Kingdom, commissioned for the New York City Ballet and performed by the London Classical Orchestra. You May Also Like: Paul McCartney Found Collaborative, First-Take Genius Again With ‘Electric Arguments’ Paul McCartney’sRead More

by Fred Phillips I don’t like White Lion. Not even a little bit. During my teen years I got so sick of “When the Children Cry” that I felt like puking every time I heard it. You May Also Like: Volcano Radar – Electro Parables/Electro Parábalas (2016) I Want, Need,Read More

I like this idea: that on any given evening there’s a decent chance that there’s a man on the eastern coast of England, sitting in the wheelhouse of his refurbished 1930’s era lifeboat You May Also Like: Bill Frisell’s Timeless ‘Live’ Opened Up a New Musical World for Me

Rock fans know him for his work with David Bowie and the Average White Band, jazz fans from moments alongside Miles Davis and Sonny Rollins (they’re on tour now), soul and pop fans from turns with Chaka Khan and Mariah Carey. You May Also Like: ‘All That’s Jazz,’ by SammyRead More

by Mark Saleski I’m still kinda mad at Joe Strummer. I mean, did the guy have to kick off so early? He was still making great music! You May Also Like: Tom Petty, Bob Dylan and Joe Strummer: The Singers and the Songs Joe Sofra, “One of Those Things” (2020):Read More

A straight-ahead jazz quartet with instrumentation as atypical as their sensibilities, the Reese Project’s Evening in Vermont is perhaps best summed up in the track “All Wood,” a nifty combination of Miles Davis’ “All Blues” and the Beatles “Norwegian Wood.” That it’s performed on flute (Tom Reese), cello (Laurie HainesRead More

Even as Thomas Dolby got set to release A Map of the Floating City, his first album of new music in almost 20 years, his sound somehow remained both associated with the MTV era, and almost completely unbound by it. “If you’re right,” Dolby tells us, “it’s because everything isRead More

Last year we investigated a strong post-bop excursion by the potent, up-and-coming partnership of tenor saxophonist Ken Fowser and vibraphonist Behn Gillece. Little Echo (2010) swung like mad and put into sharp focus the tight rapport of Fowser and Gillece You May Also Like: Ken Fowser – ‘Right On Time’Read More