In a way, Christian McBride has been working on this big-band project all along. The talented jazz bassist’s interest in this format began almost 20 years ago You May Also Like: Christian Marien Quartett – ‘How Long Is Now’ (2024)
by Mark Saleski Never heard of pianist Marilyn Crispell? I was first exposed to her work via Anthony Braxton’s momumental Willisau quartet recordings. Crispell has a unique style of play, which I put on the shelf next to Cecil Taylor and Keith Jarrett. This was her first solo record onRead More
‘All We Are Saying’ feels so connective because of guitarist Bill Frisell’s willingness to simply let things happen – to accept life as it goes.
Psych-rockers Pink Floyd and EMI are launching an exhaustive re-release campaign, beginning today. You could say that tickled us … pink. You May Also Like: No related posts.
by Tom Johnson The Wilco drummer turns in a surprisingly beautiful and effective minimalist classical drum suite reminiscent of the best works of Phillip Glass and Steve Reich. It’s not something that will get played a lot, and it’s probably not terribly original because it is territory that’s been coveredRead More
I initially dismissed this, almost out of hand: There’s a reason people haven’t been rocking Robert Frost all this time. You May Also Like: How Brian Eno Made a Triumphant Return to Rock With ‘Nerve Net’
Making records and constantly touring — under his own name and with Black Country Communion — keeps Joe Bonamassa one of the busiest musicians working today. You May Also Like: Joe Bonamassa – Blues of Desperation (2016)
by Mark Saleski Anybody out there who has been paying attention to my writings may have noticed that the name Marc Ribot has appeared almost as many times as Pat Metheny. Though the two guitar players are nothing alike, they do take up a considerable amount of my shelf space.Read More
Rufus Thomas, R&B scamp and known ass-shaker about town, was the ripe old age of 53 when this single was released. He hadn’t lost one bit of arm-flapping gusto. Yet, “Do The Funky Chicken” still came out of nowhere. Thomas’s label, Memphis-based Stax, had recently severed ties with Atlantic Records,Read More
by Tom Johnson In many ways, I am still no closer to being able to put words to my feelings for this album. Instead, I find myself forcing words upon it, all of which are rendered meaningless because they really don’t describe this album, only things that have come beforeRead More
