by Tom Johnson Who knew, at the time, that Low would crank things up like they did with The Great Destroyer, their 2005 Sub-Pop debut? Had they been holding back all those years, or did the label urge them to do something different? You May Also Like: Mike Pride –Read More

I came in expecting blues grit, something kind of dangerous — after all, New Orleans singer Olga Wilhelmine Munding has been doing that for a while. You May Also Like: Why Bruce Dickinson’s ‘Tattooed Millionaire’ Keeps Revealing New Layers Little Freddie King – ‘Fried Rice & Chicken’ (2018)

Bassist Matt Geraghty found the perfect name for his new contemporary jazz release, since Departure moves so very far outside of the expectations for labels like “contemporary jazz.” You May Also Like: Pre-Fame Bob Dylan Struck a Rebel’s Pose, But Not Woody Guthrie’s Avishai Cohen’s Melodic, Masterful Gently Disturbed WasRead More

Sao Paulo-born tenorman Ivo Perelman assembles a whack jazz quartet that rivals in star power to the foursome David S. Ware recently assembled with William Parker, Cooper-Moore and Muhammad Ali. You May Also Like: Ivo Perelman, with Matthew Shipp + Joe Morris – ‘Shamanism’ (2020) Ivo Perelman, William Parker, GeraldRead More

I have books in my collection that go all the way back to about the 5th grade. There have been so many bookstore visits in between: used bookstores, local establishments, major & minor chains. Occasions have included everything from the obligatory first day of vacation “fill-up” to the much moreRead More

If “Charlie Brown” is any indication, fans of Coldplay’s post-modern mixture of chest-bursting arena rock and quirky lyricism are going to be pleased by their forthcoming album Mylo Xyloto, due on Oct. 24. You May Also Like: Butcher Brown, “Truck Fump” from ‘Encore’ (2021): Something Else! sneak peek

Find out how a late-night movie in an Oslo hotel room sparked one of Bill Frisell’s more interesting cover tunes.

Not long ago, Neal Morse issued a very personal album that explained his abrupt change from a frontman in a neo-prog band on an upward incline to a solo artist in the even more obscure arena of Christian prog rock. You May Also Like: Jovian Tea, “Strange World” / “RedRead More

by Mark Saleski No harm meant by this remark: I’d rather listen to John Mayer than Elliott Smith. So there, I’ve said it. Not to illustrate that I’ve got no indie cred. That I apparently have no taste in music. Not even to piss off the legions of Smith fans.Read More

There’s an irresistible swagger to old-fashioned, grease-popping soul jazz records, something so far removed in this hidebound era of button-down classicists. You May Also Like: No related posts.