With little apparent interest in pursuing non-ironic love songs, Steely Dan have often touched on themes of criminal activity (hell, I think most of The Royal Scam was about crime). They never pursued the topic with an approving tone, though. You May Also Like: Steely Dan, “Carey” (circa 2001): SteelyRead More

Asked to describe this new album, Canadian guitarist Tim Vaughn said: “It’s like Prince, Led Zeppelin, Stevie Ray Vaughan, Jimi Hendrix and Radiohead all met Los Lobos at a bar in “From Dusk Til’ Dawn,” and Jack White was playing there with Elvis Costello.” Thing is, as knee-slappingly over-the-top asRead More

by Tom Johnson Drummer Joey Baron’s Barondown, featuring Steve Swell on trombone and Ellery Eskelin on tenor sax comes across like the mischievous little brother to John Zorn’s Masada. You May Also Like: The Spike Orchestra – Cerberus (2015) Groove Legacy – Groove Legacy (2016) Trombone Shorty Raced Beyond GenresRead More

by Mark Saleski Reviewers sometimes get too caught up playing the label game: jazz, pop, world (ah, the ambiguous catch-all label), rock, ambient. Whenever a writer struggles with material that lacks a definite musical anchor, I am reminded of the transformation seen through Miles Davis’ electric years. You May AlsoRead More