The summer of 1977 was spent buzzing around in my friend Billy’s parent’s blue Chevy Nova. There were girls and waves of haze and a pile of 8-tracks in a puffy vinyl box on the passenger side floor. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent andRead More

Jeff Golub, a longtime sideman with Rod Stewart and Billy Squier, has compiled the expected all-star amalgam in this tribute to the blues stylings of The Three Kings — Albert, B.B. and Freddie. You May Also Like: No related posts.

A country love song delivered almost without any detectable irony is what follows “My Old School” on Countdown To Ecstasy. The charm of Countdown is it being full of styles and devices Becker and Fagen never visited again You May Also Like: Steely Dan, “Bodhisattva” from ‘Northeast Corridor’ (2021): SteelyRead More

by Mark Saleski There are guitarists with “chops,” and there are guitarists with “feel.” These are not mutually exclusive categories You May Also Like: Prezens [David Torn, Tim Berne, Craig Taborn + Tom Rainey] – ‘xFORM’ (2020) David Torn with Tim Berne + Ches Smith – ‘Sun of Goldfinger’ (2019)Read More

Like the most artistically successful avanteers such as Mingus, Kirk and Braxton, the German composer, arranger and pianist Heiner Stadler fully understands, appreciates and loves the more traditional forms of jazz You May Also Like: Gregory Lewis, with Marc Ribot – Organ Monk Blue (2018)

I have a confession to make: Metal fan that I have always been, I’m not particularly a Black Sabbath fan. I know, I know: You’re all black-listing me right now. You May Also Like: Why Black Sabbath Went Out on a High Note With ’13’

by Mark Saleski Back in the mid-1980s, the arrival on the jazz scene of a trumpeter named Wynton Marsalis marked the start of the so-called “young lions” period. You May Also Like: Marcin Wasilewski Trio feat. Joe Lovano – ‘Arctic Riff’ (2020)

Since his 1992 debut Nice And Warm, you always know exactly what you’ll get from a Tab Benoit record: honest, rough-and-ready electric blues with a dash of Cajun seasoning, soulful bayou ballads and a two-step or two thrown in for good measure. You May Also Like: How Anders Osborne CameRead More

by Tom Johnson I fell hard for Sheik’s highly developed melodic sense on Phantom Moon, a moody, dark, mostly acoustic album of songs about the psyche written by a friend and playwright. I stepped back through his small catalog to Humming and found the album almost as beguiling, and onlyRead More

With Happy Daze, singer/songwriter Steve Macfarlane whisks us back to the lushly sophisticated melodies of Burt Bacharach and Neil Sedaka, perhaps his clearest inspiration. It’s a tricky thing, since both so often risked sounding mushy or maudlin You May Also Like: The Rainy Daze, “That Acapulco Gold” (1967): One TrackRead More